The Chickadee of the York Region Experience Trail Marker Project is illustrated by Nipissing First Nation artist Don Chrétien. – Photo supplied
By Kelly Anne Smith
NIPISSING FIRST NATION – The Amazon has Nipissing First Nation artist Donald Chrétien enthralled.
“The patterns in nature here in the jungle are arranged in different ways and has opened my eyes even wider, like a kid in a candy store.”
Chrétien is in Brazil for a month-long artist-in-residency with The Broken Forest Group. Through his art, Chrétien purposefully draws people into the forest for a dose of nature.
“I’m really starting to go towards the plants and get people out in the forest and see these things that they are forgetting about.”
His pollinator/seed spreader series is very popular marking the trail system in the York Region. The birds and insects are showstoppers in bold strokes with vibrant mass colours and clever undertones of coloration. The artist says he has been asked to create trail markers to add to the nine in the series.
The Moth, The Butterfly, and The Bee seem to be rooted in the forest. The Hummingbird flies among the branches and leaves in search of nectar. The whimsical Firefly lights up the sweetgrass while The Chickadee is the wise seed saver scouting the forest for tree caches.
“It’s the little things that matter,” says Chrétien. “At that point, I was learning more and more. Same with us. Do we really have a voice? But as a group, it makes a big difference. The same with the pollinators and seed spreaders; without them, we don’t have plants and plants are the most important thing in the pyramid. Without plants, there are no animals. There’s no us.”
The group NIN OS KOM TIN (meaning the Creator) helped Don explore his roots.
“I was with them for about five years. We had the mini pow wow right where the actual sign is where we just dedicated a couple of weeks ago in Newmarket, [Ont.], at Fairy Lake. That’s exactly where I used to set up the teepee and I’d stay overnight the night before. I would stay in the park. It’s kind of neat that this signage went about 10 feet from where I used to sleep for the pow wow,” he explains. “My first pow wow, we were helping to organize to bring awareness to that area. There is nothing in the York Region for off-band members. We were trying to just bring awareness. That was when everything sort of opened up. My mom came to that. She passed away about two months later after that. So, there were a lot of questions I had.”
The timing was right for retracing his heritage when he connected with Basil Johnston. Johnston needed an illustrator for one of his books. They went on to work on a bigger project for Owen Sound, Ont.
“After I connected with Basil Johnston, that was pretty much it. I was totally committed. I gave up commercial work in Toronto. I just started from scratch. I’d always been interested in the woodland style. I’d never really had the opportunity to work on it.”
Painting woodland style, Don found his own way from artists he really liked such as Carl Ray and Norval Morrisseau.
“Everything that I’d done previously in my illustration career was editorial, illustrating stories. Whatever I did beforehand was training for what I’m doing now. A lot of my colour theory I was unable to use in a commercial world because the colours are just too much sometimes. I worked with a lot of different art directors and I learned a lot from them. But now, I’m free.”
Don Chrétien’s art holds important stories.
“They’re medicine for me also and hopefully for other people. Yeah, you gotta look. A lot of them are artwork when it’s first shown to people. My artwork anyway, they go, ‘Oh, that’s nice.’ But as soon as you tell the story, they become so engaged in it saying, ‘Wow, I never saw that’,” he recounts. “While I’m doing it, because I’m working with organic shapes, other good things come up. So, I leave them. They are little treasures that I find and then I leave in the artwork.”
The artist explained his passion project a few years ago, which involved students helping to carve chairs adorned with animals, dodems (clans), and the Grandfather Teachings.
“I worked a couple of years with the students at Unionville Highschool, all different nationalities, and we all came to the same conclusion: we all have to be nicer to each other and work together. The Grandfather Teachings are great for that,” he explains. “They’re a place to reconnect yourself and just sit in these chairs. If you need a little courage, go sit in the courage chair. These chairs have animals carved into them and there are three animals in each one. And when you sit in it, you become the fourth. They are huge. It took two years. It took a lot of students and a lot of work to get it done. They were involved in a huge project. I’m impressed. They are too nice to be outside.”
In Brazil, Don is with other international artists from all over the world gathering together in forests in different countries.
“Last year, all the artists were here in Canada, in North Bay, and Kirkland Lake, and we had a show in Toronto. The year before that, I was in Poland. And that’s amazing. In September, with Broken Forest West, we’re in Victoria and Vancouver Island.”
Don is also excited about another big project coming up. It’s a little Anglican church that’s on the corner of Bloor and Avenue Rd., right across the street from the Royal Ontario Museum (ROM).
“I have 75 feet by 30 in along the bottom of the building. That’s a high visibility spot for Canada, I guess.”
Donald Chrétien has a couple of ideas that might be inspired by the great amazon. Check his fine art here.